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I have witnessed the homage paid to
her in the greatest cities of Europe. When they came to the tragic theatre, they
all sat down on the amphitheatre steps, and thus a small part of the house was
occupied by an audience, as it had been many centuries ago. The stage still
stood unchanged, with its walled side-scenes, and the two arches in the
background, through which the beholders saw the same scene that had been
exhibited in the old times- a scene painted by nature herself, namely, the
mountains between Sorento and Amalfi.
The singer gaily mounted the
ancient stage, and sang. The place inspired her, and she reminded me of a wild
Arab horse, that rushes headlong on with snorting nostrils and flying mane- her
song was so light and yet so firm. Anon I thought of the mourning mother beneath
the cross at Golgotha, so deep was the expression of pain. And, just as it had
done thousands of years ago, the sound of applause and delight now filled the
theatre. 'Happy, gifted creature!' all the hearers exclaimed.
'Happy,
gifted creature!' all the hearers exclaimed. Five minutes more, and the stage
was empty, the company had vanished, and not a sound more was heard- all were
gone. But the ruins stood unchanged, as they will stand when centuries shall
have gone by, and when none shall know of the momentary applause and of the
triumph of the fair songstress; when all will be forgotten and gone, and even
for me this hour will be but a dream of the past." TWELFTH EVENING "I looked
through the windows of an editor's house," said the Moon.
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Par
jusuwa le lundi 07 mars 2011
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